Antique Port Wine

#98211a

A red that is saturated. It is mid — the hardest range to put text on, either colour struggles.

Hex

#98211a

RGB

152, 33, 26

OKLCh

44.6% 0.156 28.6°

CIELAB (D50)

34.3, 48.7, 36.2

What is true of this colour, and of no other

  • 8 other named colours sit within ΔE00 2 of it.
  • It uses 85% of the chroma sRGB can show at this lightness and hue — close enough to the boundary that a wider display would show it slightly more vividly.
  • As text on white it measures APCA Lc 86.9; on black, Lc -15.2. The sign is the polarity, which the WCAG ratio discards.
  • Built into an eleven-step scale, 10 of the 10 adjacent pairs stay ΔE00 2 apart — see the ramp.
  • protanopia and deuteranopia and tritanopia shift it by ΔE00 32.5 and 36.7 and 40.5 — no red cone.

Text on this colour

White text

8.18:1 — passes AA

Black text

2.57:1 — fails AA

White text is the better of the two at8.18:1. That is enough for body text.

The same colour, with one cone missing

As you see it

#98211a

protanopia

#3e3e1c · ΔE00 32.5

deuteranopia

#5a5a0c · ΔE00 36.7

tritanopia

#707000 · ΔE00 40.5

Run a whole palette through all three

The twelve nearest named colours

Ranked by CIEDE2000 — perceptual distance, not hex arithmetic. The closest isBleeding Crimson at ΔE00 1.433: between 1 and 2 — a trained eye spots it when the two touch; nobody spots it across a room. What the numbers mean.

7 of these have no page of their own: pages exist for the 4,961 colours the dataset marks as good names.