Heavy Red

#9e1212

A red that is saturated. It is mid — the hardest range to put text on, either colour struggles.

Hex

#9e1212

RGB

158, 18, 18

OKLCh

44.7% 0.172 27.9°

CIELAB (D50)

34.1, 54.1, 41.0

What is true of this colour, and of no other

  • 15 other named colours sit within ΔE00 2 of it — this part of the space is crowded, and the names here are finer distinctions than most people make.
  • It uses 94% of the chroma sRGB can show at this lightness and hue — close enough to the boundary that a wider display would show it slightly more vividly.
  • As text on white it measures APCA Lc 86.5; on black, Lc -15.6. The sign is the polarity, which the WCAG ratio discards.
  • Built into an eleven-step scale, 10 of the 10 adjacent pairs stay ΔE00 2 apart — see the ramp.
  • protanopia and deuteranopia and tritanopia shift it by ΔE00 34.4 and 38.8 and 42.2 — no red cone.

Text on this colour

White text

8.24:1 — passes AA

Black text

2.55:1 — fails AA

White text is the better of the two at8.24:1. That is enough for body text.

The same colour, with one cone missing

As you see it

#9e1212

protanopia

#3b3b15 · ΔE00 34.4

deuteranopia

#5b5b00 · ΔE00 38.8

tritanopia

#737300 · ΔE00 42.2

Run a whole palette through all three

The twelve nearest named colours

Ranked by CIEDE2000 — perceptual distance, not hex arithmetic. The closest isVampire Fiction at ΔE00 0.715: below 1.0 — an ordinary observer cannot tell these apart, even side by side. What the numbers mean.

7 of these have no page of their own: pages exist for the 4,961 colours the dataset marks as good names.