Atlas Cedar as a scale

Eleven steps from #5ca0a7, built by moving lightness in OKLCh and keeping the hue where it is. Every step is gamut-mapped by giving up chroma, never by clipping channels — clipping is what turns a light blue purple.

StopHexOKLCh LChromaOn whiteOn blackAPCA on whiteΔE00 from the step above
50#defcff97.0%0.032 ·capped1.08:119.45:10—
100#b6f8ff93.8%0.066 ·capped1.17:117.89:188.0
200#9ee4eb87.4%0.0701.43:114.70:1204.7
300#8acfd681.0%0.0701.76:111.93:1325.0
400#76bac174.6%0.0702.20:19.56:1435.4
500#62a6ad68.2%0.0702.78:17.56:1535.9
600#4e929961.8%0.0703.56:15.89:1636.5
700#3a7f8655.4%0.0704.63:14.54:1727.3
800#256c7349.0%0.0706.07:13.46:1807.1
900#00404634.0%0.058 ·capped11.48:11.83:19614.2
950#00151818.0%0.031 ·capped18.70:11.12:110515.1

What is true of this ramp

  • 10 of the 10 adjacent pairs differ by ΔE00 2 or more. Every step here is a step a reader can see.
  • The tightest pair is 100 to200, at ΔE00 4.7.
  • 4 steps had to give up chroma to stay inside sRGB — 50, 100, 900, 950. A wider display would show them more vividly.
  • 4 steps clear 4.5:1 on white (700, 800, 900, 950), and 8 on black (50, 100, 200, 300, 400, 500, 600, 700).

Harmonies from Atlas Cedar

complement

the hue directly opposite, at the same lightness. #ba837e (+180°)

analogous

the two neighbours 30° either side. #64a290 (+-30°), #679bb8 (+30°)

split complement

the two hues either side of the opposite, 30° apart from it. #b68296 (+150°), #b5886a (+210°)

triad

the circle divided in three. #a985ac (+120°), #a79061 (+240°)

tetrad

the circle divided in four. #958bba (+90°), #ba837e (+180°), #929866 (+270°)

The ramp as CSS

:root {
  --atlas-cedar-50: #defcff;
  --atlas-cedar-100: #b6f8ff;
  --atlas-cedar-200: #9ee4eb;
  --atlas-cedar-300: #8acfd6;
  --atlas-cedar-400: #76bac1;
  --atlas-cedar-500: #62a6ad;
  --atlas-cedar-600: #4e9299;
  --atlas-cedar-700: #3a7f86;
  --atlas-cedar-800: #256c73;
  --atlas-cedar-900: #004046;
  --atlas-cedar-950: #001518;
}

Build one from your own colour · More cyans