Langoustine

#dc5226

A red that is saturated. It is light — black text sits on it comfortably, white text does not.

Hex

#dc5226

RGB

220, 82, 38

OKLCh

61.8% 0.182 37.2°

CIELAB (D50)

54.1, 53.5, 53.2

What is true of this colour, and of no other

  • 6 other named colours sit within ΔE00 2 of it.
  • It uses 88% of the chroma sRGB can show at this lightness and hue — close enough to the boundary that a wider display would show it slightly more vividly.
  • As text on white it measures APCA Lc 66.1; on black, Lc -35.5. The sign is the polarity, which the WCAG ratio discards.
  • Built into an eleven-step scale, 10 of the 10 adjacent pairs stay ΔE00 2 apart — see the ramp.
  • protanopia and deuteranopia and tritanopia shift it by ΔE00 36.4 and 39.0 and 42.4 — no red cone.

Text on this colour

White text

3.98:1 — large text only

Black text

5.28:1 — passes AA

Black text is the better of the two at5.28:1. That is enough for body text.

As text on white, it needs to change

#d1481a is the nearest colour of the same hue that passes AA on white, at 4.50:1. Only the lightness moved.

Try it against your own background

The same colour, with one cone missing

As you see it

#dc5226

protanopia

#6e6e29 · ΔE00 36.4

deuteranopia

#8e8e10 · ΔE00 39.0

tritanopia

#a9a900 · ΔE00 42.4

Run a whole palette through all three

The twelve nearest named colours

Ranked by CIEDE2000 — perceptual distance, not hex arithmetic. The closest isObstinate Orange at ΔE00 0.969: below 1.0 — an ordinary observer cannot tell these apart, even side by side. What the numbers mean.

9 of these have no page of their own: pages exist for the 4,961 colours the dataset marks as good names.