Roland-Garros

#bb5522

An orange that is muted. It is mid — the hardest range to put text on, either colour struggles.

Hex

#bb5522

RGB

187, 85, 34

OKLCh

57.0% 0.146 44.0°

CIELAB (D50)

49.1, 39.9, 48.1

What is true of this colour, and of no other

  • 3 other named colours sit within ΔE00 2 of it.
  • It uses 88% of the chroma sRGB can show at this lightness and hue — close enough to the boundary that a wider display would show it slightly more vividly.
  • As text on white it measures APCA Lc 72.2; on black, Lc -29.5. The sign is the polarity, which the WCAG ratio discards.
  • Built into an eleven-step scale, 10 of the 10 adjacent pairs stay ΔE00 2 apart — see the ramp.
  • protanopia and deuteranopia and tritanopia shift it by ΔE00 30.5 and 32.3 and 35.2 — no red cone.

Text on this colour

White text

4.73:1 — passes AA

Black text

4.44:1 — large text only

White text is the better of the two at4.73:1. That is enough for body text.

The same colour, with one cone missing

As you see it

#bb5522

protanopia

#676724 · ΔE00 30.5

deuteranopia

#7e7e14 · ΔE00 32.3

tritanopia

#939300 · ΔE00 35.2

Run a whole palette through all three

The twelve nearest named colours

Ranked by CIEDE2000 — perceptual distance, not hex arithmetic. The closest isTaisha Brown at ΔE00 0.398: below 1.0 — an ordinary observer cannot tell these apart, even side by side. What the numbers mean.

8 of these have no page of their own: pages exist for the 4,961 colours the dataset marks as good names.