Belladonna

#220011

A pink that is nearly neutral — the hue shows only against a true grey. It is very dark — white text sits on it comfortably, black text does not.

Hex

#220011

RGB

34, 0, 17

OKLCh

16.5% 0.068 352.7°

CIELAB (D50)

3.5, 16.2, -1.9

What is true of this colour, and of no other

  • No other named colour in the set is within ΔE00 2 of it — it stands alone.
  • It sits exactly on the sRGB boundary: at this lightness and hue the gamut has nothing left, and a wider display would show a more colourful version of it.
  • As text on white it measures APCA Lc 105.2; on black, Lc 0.0. The sign is the polarity, which the WCAG ratio discards.
  • Built into an eleven-step scale, 10 of the 10 adjacent pairs stay ΔE00 2 apart — see the ramp.
  • protanopia and deuteranopia and tritanopia shift it by ΔE00 14.8 and 15.5 and 24.3 — no red cone.

Text on this colour

White text

19.51:1 — passes AA

Black text

1.08:1 — fails AA

White text is the better of the two at19.51:1. That is enough for body text.

The same colour, with one cone missing

As you see it

#220011

protanopia

#060611 · ΔE00 14.8

deuteranopia

#0f0f10 · ΔE00 15.5

tritanopia

#161600 · ΔE00 24.3

Run a whole palette through all three

The twelve nearest named colours

Ranked by CIEDE2000 — perceptual distance, not hex arithmetic. The closest isBlack Cherry at ΔE00 5.113: between 5 and 10 — nobody would call these the same colour. What the numbers mean.

6 of these have no page of their own: pages exist for the 4,961 colours the dataset marks as good names.