Dark Matter

#110101

A red that is nearly neutral — the hue shows only against a true grey. It is very dark — white text sits on it comfortably, black text does not.

Hex

#110101

RGB

17, 1, 1

OKLCh

11.8% 0.040 25.9°

CIELAB (D50)

1.3, 4.7, 1.7

What is true of this colour, and of no other

  • No other named colour in the set is within ΔE00 2 of it — it stands alone.
  • It uses 84% of the chroma sRGB can show at this lightness and hue.
  • As text on white it measures APCA Lc 105.9; on black, Lc 0.0. The sign is the polarity, which the WCAG ratio discards.
  • Built into an eleven-step scale, 10 of the 10 adjacent pairs stay ΔE00 2 apart — see the ramp.
  • protanopia and deuteranopia and tritanopia shift it by ΔE00 6.5 and 7.2 and 8.2 — no red cone.

Text on this colour

White text

20.42:1 — passes AA

Black text

1.03:1 — fails AA

White text is the better of the two at20.42:1. That is enough for body text.

The same colour, with one cone missing

As you see it

#110101

protanopia

#030301 · ΔE00 6.5

deuteranopia

#060601 · ΔE00 7.2

tritanopia

#0a0a00 · ΔE00 8.2

Run a whole palette through all three

The twelve nearest named colours

Ranked by CIEDE2000 — perceptual distance, not hex arithmetic. The closest isScandinavian Liquorice at ΔE00 2.878: between 2 and 5 — clearly two colours when compared, easily mistaken from memory. What the numbers mean.

4 of these have no page of their own: pages exist for the 4,961 colours the dataset marks as good names.